Titlebook: Coleridge and the Daemonic Imagination; Gregory Leadbetter Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 Coleridge.

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Ventilator

,“Pagan Philosophy” and the “Pride of Speculation”: Spiritul Politics and the Metaphysical Imaginati Coleridge later uses the image again, to articulate the sense of spiritual dislocation he had felt since childhood: “An Impulse a tergo discoverable in early childhood—a darkness felt in the day-light—but the tendency instantly forced into a false direction, and soon scared by authority,” before “f

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,Transnatural Language: The “Library-Cormorant” in the “Vernal Wood”, the effect, which these books had produced—and burnt them” (CL I 347). Isolated from other children by his consumption of literature, and censored by his father—who, as the local priest, blended parental authority with that of the Church—the young Coleridge was at the same time a source of fascinat

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音乐学者

,“Christabel”, The poem is intensely personal in other ways. Despite exhaustive efforts, scholars have found its literary fabric less amenable to “source” studies than the other mystery poems.. Holmes writes that of all Coleridge’s major poems, “it is most difficult to see what inspired ‘Christabel,’ where it cam

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James E. Pickett,Jonathan R. Sargent Coleridge later uses the image again, to articulate the sense of spiritual dislocation he had felt since childhood: “An Impulse a tergo discoverable in early childhood—a darkness felt in the day-light—but the tendency instantly forced into a false direction, and soon scared by authority,” before “f

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Durability of Building Joint Sealants the effect, which these books had produced—and burnt them” (CL I 347). Isolated from other children by his consumption of literature, and censored by his father—who, as the local priest, blended parental authority with that of the Church—the young Coleridge was at the same time a source of fascinat

Phenothiazines

Delectable

Electronic Retailing and Service Quality,; House remarks that the “poem’s very richness at once tempts and defeats definiteness of interpretation” (House 93), which allows the poem’s vivid open-endedness to be part of its authority. Coleridge makes that elusiveness central to the poem through devices that purport to enclose it: as a story