Titlebook: Cognition, Mindreading, and Shakespeare‘s Characters; Nicholas R. Helms Book 2019 The Editor(s) (if applicable) and The Author(s), under e

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D. Georg Adlmaier-Herbst,Annette Mayers . depicts the mad as opaque to society, inaccessible to inference or imagination alone. Incoherence operates similarly in ., a play where Shakespeare omits explicit motivations for his characters’ actions, crafting easily misread minds that catalyze his play’s conflicts and moral dilemmas.

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,The Mind’s Construction: An Introduction to Mindreading in Shakespeare, his character and that continues to contemplate the moral ramifications of such characters even after leaving the playhouse. Misreading fuels Shakespeare’s popular appeal and the enduring effect his works have had upon modern and early modern culture.

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Integrating Minds: Blending Methods in , and , When Orsino threatens to kill Cesario in the final act, these two interpretations suddenly combine into one via conceptual blending, the combination of discrete inputs into a coherent, gestalt-like whole.

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Finding the Frame: Inference in , and ,tion. Understanding the choices Shakespeare’s characters make can require setting aside one’s own contemporary theories of decay and inferentially adopting theirs, thinking through the lives of carrion flies alongside the lives of these young lovers.

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Reading Incoherence: How Shakespeare Speaks Back to Cognitive Science,s . depicts the mad as opaque to society, inaccessible to inference or imagination alone. Incoherence operates similarly in ., a play where Shakespeare omits explicit motivations for his characters’ actions, crafting easily misread minds that catalyze his play’s conflicts and moral dilemmas.

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2945-7297 s, and performers.Cognition, Mindreading, and Shakespeare‘s Characters .brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare’s construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruc