Titlebook: Co-Financing Hollywood Film Productions with Outside Investors; An Economic Analysis Kay H. Hofmann Book 2013 Springer Fachmedien Wiesbaden

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Implications of the Appearance of Slate Investors,nging for the best deals, it is likely that the market for motion picture financing has become more competitive. Facing new and powerful competitors, it is straightforward to expect that the incumbent financers needed to respond to the new environmental constraints by adapting their investment strategies.

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https://doi.org/10.1007/978-981-16-2746-02008). These potential downsides, paired with the unsatisfactory ex post performance and the legal disputes discussed above point to the pitfalls of co-financing arrangements and merit further theoretical as well as empirical analyses.

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Lilia Halim,T. Subahan Mohd Meerahnging for the best deals, it is likely that the market for motion picture financing has become more competitive. Facing new and powerful competitors, it is straightforward to expect that the incumbent financers needed to respond to the new environmental constraints by adapting their investment strategies.

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Book 2013e so-called co-financing arrangements are a common phenomenon in Hollywood. While the large studios usually carry out the operative tasks of movie production and distribution, the financiers as co-owners of the completed films have rights to the residual profits. Kay H. Hofmann analyzes the conflict

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The Hollywood Mega Industry,ord high of 10.6 billion USD, with the growth being driven by the latest advancements in 3-D technologies. The latter are also expected to stimulate further growth in the years ahead (MPAA, 2009a). Over 115,000 businesses support 2.5 million jobs in the U.S. motion picture and TV industry and the se

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Contemporary Co-Financing Practices in the Motion Picture Industry,ery producer – regardless of whether it is an individual producer or an affiliate of a major studio-distributor – must secure the required funding for a given project. Because the latter is a necessary condition for a film to be ‘green-lit’ and passed on into the production stage, significant effort

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Description of the Data and Variables,studio or a mini-major affiliate between the cut-off dates of January 1, 2003 and December 31, 2007 (N = 880). The titles were identified from a comprehensive release list which was kindly supplied by NATO. For each film, a range of product-inherent and product-induced variables was gathered by hand

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