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Titlebook: Co-Financing Hollywood Film Productions with Outside Investors; An Economic Analysis Kay H. Hofmann Book 2013 Springer Fachmedien Wiesbaden

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Lilia Halim,T. Subahan Mohd Meerahheless, the appearance ofslate investors also entailed significant implications on the characteristics of the cofinancing market, particularly when considering that film projects with blockbuster potential are distributed among the studios and are clearly limited in number. With additional agents lo
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Mei-Hung Chiu,Jing-Wen Lin,Chin-Cheng Chous had already been mentioned in the trade press in 2004, it took more than a year until a number of slate financed movies made their way to the theaters. Accordingly, the data used consists of the population of feature films that were produced under the leading involvement of a major or mini-major s
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Mei-Hung Chiu,Jing-Wen Lin,Chin-Cheng Chouers. Based on regression analysis performed with a hand-collected recent database of U.S. motion pictures, I provide empirical evidence for the often reported underperformance of co-financed motion pictures and identify multiple agency issues as the underlying causes. Along these lines, this dissert
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Scientific Reasoning During Inquiry a given project. Because the latter is a necessary condition for a film to be ‘green-lit’ and passed on into the production stage, significant efforts are made to attract investors or lure in other grants, as underlined by Vogel’s (2007) remark above.
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Mei-Hung Chiu,Jing-Wen Lin,Chin-Cheng Choudistributor in the domestic market and furthermore exclude all projects that have been . exclusively by one or multiple independent production firms (i.e. without the involvement of a studio or a mini-major).
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Mei-Hung Chiu,Jing-Wen Lin,Chin-Cheng Chours. Accordingly, the data used consists of the population of feature films that were produced under the leading involvement of a major or mini-major studio and released in the domestic theatrical market during these two years (N = 235).
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