Titlebook: Classical Presences in Irish Poetry after 1960; The Answering Voice Florence Impens Book 2018 The Editor(s) (if applicable) and The Author(

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Jørgen Wettestad,Torbjørg Jevnaker Eavan Boland, and which they would rework in the early part of their careers. The chapter first considers the representations and uses of ancient Greece and Rome in Anglophone Irish poetry in the first half of the twentieth century, and in particular in the work of William Butler Yeats, Patrick Kav

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Nietzsche’s Genealogy of Belief and Moralityand narratives, became particularly interested in Greek and Latin literatures in the late 1980s and early 1990s, at a time of personal and political crises. In those years, he found in the classics texts that helped him address private grief, as well as revisit the dichotomies of Northern Irish soci

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Some German Connections: Marx and Mannheimby a detailed attention to the original text absent from Heaney’s, there are also striking parallels in their respective uses of Greek and Latin literatures. Like Heaney with Virgil, Longley in the early 1990s turned to Homer, the author who had been a favourite of his in his adolescence, and rewrot

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Nietzsche’s Genealogy of Belief and Moralitye ‘classical revival’ in the 1990s. Discussing the work of Peter Fallon, Peter McDonald, and Theo Dorgan, it suggests that while younger poets too have drawn from ancient Greece and Rome, the ‘classical turn’ in Irish poetry may now have passed. Reading classical poems as part of the poets’ wider en

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