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Titlebook: Classical Presences in Irish Poetry after 1960; The Answering Voice Florence Impens Book 2018 The Editor(s) (if applicable) and The Author(

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发表于 2025-3-21 18:24:30 | 显示全部楼层 |阅读模式
书目名称Classical Presences in Irish Poetry after 1960
副标题The Answering Voice
编辑Florence Impens
视频videohttp://file.papertrans.cn/228/227124/227124.mp4
概述Invites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read.Places close readings of key poems within the broader context of the poets’ ca
丛书名称The New Antiquity
图书封面Titlebook: Classical Presences in Irish Poetry after 1960; The Answering Voice Florence Impens Book 2018 The Editor(s) (if applicable) and The Author(
描述This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures.
出版日期Book 2018
关键词Adaptation; Tragedy; Greek; Latin; Catholic; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-3-319-68231-0
isbn_softcover978-3-319-88567-4
isbn_ebook978-3-319-68231-0Series ISSN 2946-3017 Series E-ISSN 2946-3025
issn_series 2946-3017
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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发表于 2025-3-21 20:20:34 | 显示全部楼层
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The Classics in Modern Irish Poetry,anagh, and Louis MacNeice. In a second section, it examines the role played by the poets’ education, and by the . in their education in the Irish and Northern Irish systems in terms of their understanding of ancient Greece and Rome, which, it argues, would deeply shape their creative relationship with the material.
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Nietzsche’s Genealogy of Belief and Moralityteen years of his career, revisited Ireland as a classical and secular space, thereby reflecting social and cultural changes on the island in the context of the Northern Irish peace process, as well as of globalisation.
发表于 2025-3-22 15:25:22 | 显示全部楼层
Some German Connections: Marx and Mannheimears from the latter as well as from Ovid, Sappho, and lesser-known Greek poets, Longley has since positioned himself as the ‘classicist’ of his generation in the Irish poetic landscape. His work, highlighting the continuity of human experience across millennia, testifies to his secular humanism.
发表于 2025-3-22 20:05:26 | 显示全部楼层
https://doi.org/10.1007/978-94-010-0289-9reflection on home and belonging: from exile in the early 1980s, to imaginative homecoming in recent Homeric poems. As for Boland, her classical work illustrates the evolution of her reflections on gender and on the place of women in literary canons, both as authors and as artistic subjects.
发表于 2025-3-23 00:58:05 | 显示全部楼层
Nietzsche’s Genealogy of Belief and Moralityd a vivid interest in foreign poets in Ireland. Playing a role in the unsettling of dichotomies in the early 1990s, the classics became texts that could be used to reach out to others: the other community in the North, as well as gradually other Anglophone and non-Anglophone cultures in the Ireland of the new millennium.
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