Titlebook: Classic-ing on the Australian mainstream stage; The place and phenom Susan McClements Wyss Book 2023 The Editor(s) (if applicable) and The

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Springer Monographs in Mathematicsis project. A comparative lens of Shakespeare production lends the account a time-tested perspective but does not necessarily represent the Australian classic phenomenon. The chapter considers socio-cultural conditions of theatre practice across four periods: colonial settlement, Federation, post-wa

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Conclusion: The Practice of Classic-ing, six productions. This final chapter provides an overview of the features of classic-ing on the Australian mainstream stage. This is a practice which animates the entire production chain, from program choice, casting, and staging to audience reception and critical response.

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Book 2023, audience reception and critical response. Analysis of six distinct examples of pre-determined and self-nominated classic productions on the Australian mainstage is informed by postcolonial theory, specifically the settler dilemma of Indigenous cultural authority. What happens to the political edge

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https://doi.org/10.1007/978-3-662-03002-8ded. Discussion of existing literature and concepts in postcolonial drama identifies key concepts that are used in the ensuing case studies. Finally, postcolonial resonance is explored by comparing colonial settlement and Shakespeare production in Australia and Canada.

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