Titlebook: Cinematic Virtual Reality; A Critical Study of Kath Dooley Book 2021 The Author(s), under exclusive license to Springer Nature Switzerland

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Crafting the CVR Experience so as to Guide the Viewer,g narratives in 360-degree space. The explored CVR films offer an authored narrative but also give the audience agency to choose their viewpoint of the action. This calls for creators to strike a balance between viewer freedom and viewer focus, so that viewers can interact with story elements while

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The CVR Project on the Page or on the Screen: Writing and Conceptualisation,r or in a variety of digital formats. The author interrogates a range of project-planning documents such as screenplays, story-world bibles, shooting diagrams, storyboards and mock-ups, so as to explore the diverse range of approaches to CVR ‘writing’ that are currently being utilised. An analysis o

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Script and Project Development Practices, of collaboration. Due to an identified blurring between CVR writing and production, this calls for an exploration of ‘project’ development, a process that encompasses ‘script’ development, that involves complex and varied interactions between individuals and institutions, and that results in the wr

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Kath DooleyExplores the challenges and opportunities for both practitioners and viewers offered by the immersive 360-degree storytelling form.Interrogates four key concepts: immersion, presence, embodiment and p

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