书目名称 | Cinematic Virtual Reality | 副标题 | A Critical Study of | 编辑 | Kath Dooley | 视频video | http://file.papertrans.cn/227/226554/226554.mp4 | 概述 | Explores the challenges and opportunities for both practitioners and viewers offered by the immersive 360-degree storytelling form.Interrogates four key concepts: immersion, presence, embodiment and p | 图书封面 |  | 描述 | .With reference to traditional film theory and frameworks drawn from fields such as screenwriting studies and anthropology, this book explores the challenges and opportunities for both practitioners and viewers offered by the 360-degree storytelling form. It focuses on cinematic virtual reality (CVR), a format that involves immersive, high quality, live action or computer-generated imagery (CGI) that can be viewed through head mounted display (HMD) goggles or via online platforms such as YouTube. This format has surged in popularity in recent years due to the release of affordable high quality omnidirectional (360-degree) cameras and consumer grade HMDs. The book interrogates four key concepts for this emerging medium: immersion, presence, embodiment and proximity through an analysis of innovative case studies and with reference to practitioner interviews. In doing so, it highlights the specificity of the format and provides a critical account of practitioner approaches to the concept development, writing and realisation of short narrative CVR works. The book concludes with an account of the author’s practice-led research into the form, providing a valuable example of creative prac | 出版日期 | Book 2021 | 关键词 | Cinematic Virtual Reality; 360-Degree Video; Immersion; Storytelling; Narratives; Proximity | 版次 | 1 | doi | https://doi.org/10.1007/978-3-030-72147-3 | isbn_softcover | 978-3-030-72149-7 | isbn_ebook | 978-3-030-72147-3 | copyright | The Author(s), under exclusive license to Springer Nature Switzerland AG 2021 |
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