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Titlebook: Cinematic Histospheres; On the Theory and Pr Rasmus Greiner Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 Histosph

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发表于 2025-3-21 19:10:04 | 显示全部楼层 |阅读模式
书目名称Cinematic Histospheres
副标题On the Theory and Pr
编辑Rasmus Greiner
视频video
概述Develops a theory of histospheres.Proposes the first detailed and consistent theory that defines historical film as a living genre practice based on its specific aesthetics and phenomenology.Connects
图书封面Titlebook: Cinematic Histospheres; On the Theory and Pr Rasmus Greiner Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 Histosph
描述.In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the .histosphere .to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s .Sky Without Stars .(1955), Jutta Brückner’s .Years of Hunger .(1980), and Sven Bohse’s three-part TV series .Ku’damm 56 .(2016). .
出版日期Book‘‘‘‘‘‘‘‘ 2021
关键词Histosphere; Historical Film; Phenomenology of Film; Historical Experience; Audiovisual; Historical World
版次1
doihttps://doi.org/10.1007/978-3-030-70590-9
isbn_softcover978-3-030-70592-3
isbn_ebook978-3-030-70590-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2021
The information of publication is updating

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发表于 2025-3-21 21:36:41 | 显示全部楼层
https://doi.org/10.1007/978-3-662-04911-2 of the cinematically constructed past via physical-sensory stimuli. Against the general assumption that the constitutive feature of historical films is that they represent history, it is instead their audiovisual . and . of a historical world, which enables an immediate . of history.
发表于 2025-3-22 04:23:47 | 显示全部楼层
https://doi.org/10.1007/3-540-34829-8 examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.
发表于 2025-3-22 04:45:06 | 显示全部楼层
https://doi.org/10.1007/3-540-34829-8rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.
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发表于 2025-3-23 02:52:06 | 显示全部楼层
Audiovisual History, examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.
发表于 2025-3-23 06:48:48 | 显示全部楼层
Modeling and Perceiving,rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.
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