Titlebook: Cinema, Cross-Cultural Collaboration, and Criticism; Filming on an Uneven Davinia Thornley Book 2014 Palgrave Macmillan, a division of Macm

赎罪

书目名称Cinema, Cross-Cultural Collaboration, and Criticism影响因子(影响力)




书目名称Cinema, Cross-Cultural Collaboration, and Criticism影响因子(影响力)学科排名




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书目名称Cinema, Cross-Cultural Collaboration, and Criticism网络公开度学科排名




书目名称Cinema, Cross-Cultural Collaboration, and Criticism被引频次




书目名称Cinema, Cross-Cultural Collaboration, and Criticism被引频次学科排名




书目名称Cinema, Cross-Cultural Collaboration, and Criticism年度引用




书目名称Cinema, Cross-Cultural Collaboration, and Criticism年度引用学科排名




书目名称Cinema, Cross-Cultural Collaboration, and Criticism读者反馈




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DEBT

样式

https://doi.org/10.1057/9781137411570cinema; film; modeling; politics

Outwit

Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

SHOCK

跳动

https://doi.org/10.1007/978-981-10-1458-1Before Tomorrow . Atanarjuat Fast Runner . Before Tomorrow’s ..

跳动

Rosiah Md Noor,Mohd Azhar Abd Manan The Tattooist . Whale Rider ., No. 2 . Naming Number Two . Apron Strings ..

歌曲

,Introduction — Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field, (2009). Cinema, Cross-Cultural Collaboration, and Criticism ..

CREEK

,“An Instrument of Actual Change in the World”: Engaging a New Collaborative Criticism through IsumaBefore Tomorrow . Atanarjuat Fast Runner . Before Tomorrow’s ..

CYT

,“A Space Being Right on That Boundary”: Critiquing Cross-Cultural Collaboration in Aotearoa New Zea The Tattooist . Whale Rider ., No. 2 . Naming Number Two . Apron Strings ..