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Titlebook: Christina Rossetti‘s Faithful Imagination; The Devotional Poetr Dinah Roe Book 2007 Palgrave Macmillan, a division of Macmillan Publishers

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Reconciliation Policy in Germany 1998-2008 while her writerly experiments take place within the nascent Pre-Raphaelite movement. Her work of this period struggles to extract a Tractarian ‘subtle virtue’ from a Romantic and Pre-Raphaelite ‘cup of curious dyes’. Rossetti effects this alchemy by reading the Romantics through the Tractarians, w
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Introduction,y to miss, especially if there is an attempt to force a clear distinction, as Germaine Greer does, between ‘the poems of Rossetti’s rebellion and self-assertion’ and ‘those of her resignation and self-denial’.
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,‘Decayed Branches from a Strong Stem’: Rossetti’s Keatsian Heritage, while her writerly experiments take place within the nascent Pre-Raphaelite movement. Her work of this period struggles to extract a Tractarian ‘subtle virtue’ from a Romantic and Pre-Raphaelite ‘cup of curious dyes’. Rossetti effects this alchemy by reading the Romantics through the Tractarians, w
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,‘Great Love and Long Study’: Dante, Petrarch, and ,which an editor gains nothing by discarding’.. In the interest of reading in the spirit of Rossetti, this chapter addresses the sonnet sequence in its entirety. Although I do not, for reasons of space, include the whole text of ., it can be found on pages 86–93 in Volume 2 of the Crump edition.
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https://doi.org/10.1007/978-3-030-03655-3gument. Despite frequent periods of convalencence, Rossetti, like Wordsworth, lived and worked beyond all expectations. ‘Frittering her time away’ was anathema to Rossetti, both professionally and spiritually. In fact, the use and abuse of time is one of the leading concerns of her penultimate devotional prose work, ..
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Imagining Faith: Earth and Heaven in ,han ., it is a comprehensive study of the final book of the Bible. ‘Believe me,’ writes a modern collector, ‘it [.] is not a book that one would want to curl up with on a rainy night — or any night for that matter’..
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