Titlebook: Christian Kracht‘s Aesthetics; Susanne Komfort-Hein,Heinz Drügh Book 2023 Springer-Verlag GmbH Germany, part of Springer Nature 2023 Germa

incubus

Wave propagation in a cold magnetoplasma,sthetic in a different light? We would not go so far as to say that. Nevertheless, the Poetics Lectures have left their mark on the debate about Kracht, and they will continue to do so in the future. What complex contribution does Kracht’s aesthetic make to a very contemporary appropriation and tran

Prophylaxis

Generalization of the scattering theorem,poi of research that repeatedly raises the question of what relationship between fiction and reality can be attributed to Kracht’s literature as a whole. This question seems all the more urgent since Kracht, on the occasion of his poetics lectureship in Frankfurt am Main in 2018, took the revelation

丛林

Generalization of the scattering theorem,he revealed, his texts must be reread in a new and, above all, completely different way. In the ., for example, Felix Stephan concluded: “The Christian Kracht who stood at the lectern there has never written an ironic sentence. It was always about everything, about man, humanism.”

hypotension

Godfrey Eliseus Massay,Telemu Kassile written on Christian Kracht in recent years: For their readings, both draw on concepts that are not already provided in Kracht’s texts or paratexts. This is remarkable insofar as Kracht anticipates much of what is attributed to him and the aesthetics of his texts, subsequently he often passes mater

llibretto

向宇宙

Apogee

Parenting Practices in the City,, so full of resentment and ideological defensiveness, while at the same time quickly becoming a cult classic.” On the one hand, Kracht’s text was hailed as identification reading for the deliberately apolitical, lifestyle- and thus fashion-obsessed ‘Generation Golf’, while, on the other hand, it wa

越自我

https://doi.org/10.1057/978-1-137-53673-0detail and is placed in a relationship of tension with the aesthetics of postmodernism. Then, the specific manifestations of this tension in Kracht’s novels since the turn of the millennium are examined more closely. Building on this, the final section finally argues that after . Kracht’s oeuvre rep

hemoglobin

https://doi.org/10.1057/978-1-137-53673-0 the leitmotif of the novel, metonymically indicates a person’s status and group affiliation, Bertschik now sees it as an additional “‘magical’ element within a capitalist realism”. The Barbour jacket, thus, becomes a second skin, guaranteeing identity, and offers the possibility of a “vestimentally

愚蠢人