Titlebook: Choreography as Embodied Critical Inquiry; Embodied Cognition a Shay Welch Book 2022 The Editor(s) (if applicable) and The Author(s), under

Observe

Dancing: Phenomenology and Embodied Cognition,mbodied metaphors in mining the body for questions. I argue that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. I set out the core areas related to my inquiry and introduce some of their foundational tenets used in the arguments.

光滑

Movement-Knowings: Affect and Embodied Intuition,. To do so, I examine why and how consciousness is tied directly to affect to better understand the role of affect in intuition. I hold that if one can understand how affect is experienced in, and through, movement, they can better learn how to access and direct embodied knowledges.

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negotiable

Dancing: Phenomenology and Embodied Cognition,the purpose of the book, which is to, first, present the theoretical underpinnings of what this process is and how it can work; and second, to introduce the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. I explore the role of embodied cognition and e

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共同确定为确

凹室

The Movers: Results,t the outset, how we went through the method, how we resolved the initial questions, and in what ways were some parts more successful than others. I include commentary from my movement partners regarding their experience with the experiment.

乞讨

es how to utilize movement to explore embodied practices of knowing.  She argues that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. .978-3-030-93497-2978-3-030-93495-8