Titlebook: Choreography as Embodied Critical Inquiry; Embodied Cognition a Shay Welch Book 2022 The Editor(s) (if applicable) and The Author(s), under

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Kai Arzheimer,Harald Schoen,Jürgen W. Falterthe purpose of the book, which is to, first, present the theoretical underpinnings of what this process is and how it can work; and second, to introduce the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. I explore the role of embodied cognition and e

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https://doi.org/10.1007/978-3-322-99575-9demonstrate how the phenomenology of dance counts as a naturalized phenomenology. In “.” section, I provide a thorough summation of Di Paolo et al.’s theory of linguistic bodies, since it is best suited to helping understand how bodied can communicate. A rendering of bodies as fully communicative is

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Shay WelchThe first account of how to use choreography as a means of engaging in critical inquiry.Develops a method for using choreography as a critical inquiry process.Demonstrates how to utilize movement to e

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https://doi.org/10.1007/978-3-030-93495-8Dance; Choreography; embodied metaphors; critical inquiry; enactivism; embodiment; somatics; Phenomenology;