Titlebook: Choreography and Corporeality; Relay in Motion Thomas F. DeFrantz,Philipa Rothfield Book 2016 The Editor(s) (if applicable) and The Author(

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Tinkering Away: The Untimely Art of Subtractiontext nor depends upon representation as such? This chapter poses three ways of conceiving of subtraction within dance, in relation to the canonical, choreographic production and the audience-performer relation. It argues that the notion of subtraction offers a particular way of conceiving of the pro

斗志

COMA

Flickering Photology: Turning Bodies and Textures of Lightter argues that . creates a flickering ‘photology’ or knowledge of light in which there is not only a relay from Maliphant’s work to optical experiments in early modern dance and visual art, but also a relay from those practices to phenomenological theory, especially as that has been developed by Me

Anticoagulant

Caribbean Dance: British Perspectives and the Choreography of Beverley Gleanof the 1980s and formed a dominant discourse, could not make sense of the dance company, IRIE!, and blurred the boundaries between its notional templates of what ‘traditional’ or ‘modern’ dance by people of non-Western heritage should look like. The chapter looks to Thomas DeFrantz’s concept of corp

ureter

Comedienne

沉着

莎草

Corporeal Memories: A Historian’s Practicearn: to question beliefs and aspects of their practice they have thus far taken for granted. For the teacher, this principle requires openness about our (institutional) positions of power, both restrictions imposed by curricular demands and our cherished canons of art. In this paper, I address some