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Titlebook: Chinese Porcelain in Colonial Mexico; The Material Worlds Meha Priyadarshini Book 2018 The Editor(s) (if applicable) and The Author(s), un

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书目名称Chinese Porcelain in Colonial Mexico
副标题The Material Worlds
编辑Meha Priyadarshini
视频videohttp://file.papertrans.cn/226/225884/225884.mp4
概述Takes a local approach to a popular export product to explore the broader history of transpacific trade during the early modern period.Offers detailed accounts of several different sites of production
丛书名称Palgrave Studies in Pacific History
图书封面Titlebook: Chinese Porcelain in Colonial Mexico; The Material Worlds  Meha Priyadarshini Book 2018 The Editor(s) (if applicable) and The Author(s), un
描述.This book follows Chinese porcelain through the commodity chain, from its production in China to trade with Spanish Merchants in Manila, and to its eventual adoption by colonial society in Mexico. As trade connections increased in the early modern period, porcelain became an immensely popular and global product. This study focuses on one of the most exported objects, the .guan.. It shows how this porcelain jar was produced, made accessible across vast distances and how designs were borrowed and transformed into new creations within different artistic cultures. While people had increased access to global markets and products, this book argues that this new connectivity could engender more local outlooks and even heightened isolation in some places. It looks beyond the .guan .to the broader context of transpacific trade during this period, highlighting the importance and impact of Asian commodities in Spanish America..
出版日期Book 2018
关键词Ceramic; Jingdezhen; Manila; Mexico; Pottery; Artisan; Transpacific; Galleon; Globalization; Trade; Production
版次1
doihttps://doi.org/10.1007/978-3-319-66547-4
isbn_softcover978-3-319-88268-0
isbn_ebook978-3-319-66547-4Series ISSN 2947-924X Series E-ISSN 2947-9258
issn_series 2947-924X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer International P
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https://doi.org/10.1057/9781137010902of porcelain in China, showing why Jingdezhen in particular was well suited to become the porcelain capital of the world. It moves on to show how specifically the porcelains were made, how their distinct characteristics were created, and how they were produced in such great numbers to be made access
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Miomir Vukobratović,Nenad Kirćanskiish Crown, and the society was a mixture of indigenous, African, and European cultures. In such a cultural context, the appropriation of Asian objects took on different forms from those seen in other parts of the world, especially Europe..To understand the specifics of this appropriation, we follow
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Communications and Control Engineeringwhich was initially established as a religious and cultural center for the colony. Puebla was built in a previously unsettled area so that it could be a purely Spanish city, free of influences from the native populations. However, this goal was not realized, and the ceramics produced in the city wer
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https://doi.org/10.1007/978-3-319-66547-4Ceramic; Jingdezhen; Manila; Mexico; Pottery; Artisan; Transpacific; Galleon; Globalization; Trade; Production
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