Titlebook: Chinese Film Festivals; Sites of Translation Chris Berry,Luke Robinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 arts.

ostensible

https://doi.org/10.1057/9780230101265 by different people, including fans of Chinese/Asian cinema in the West, Asian Americans and Chinese from the People’s Republic of China (PRC). The three festivals illuminate how Chinese cinema, which is already heterogeneous and diverse, embodies different meanings for varied stakeholders—festival

Confound

Gratuitous

Shanghai and Hong Kong: A Tale of Two Festivals and Shanghai International Film Festivals as case studies. They are starkly different. Hong Kong International Film Festival (HKIFF) started as a local government service aimed at local audiences and has since become an independent organization, only recently launching awards. Shanghai Internationa

Adornment

欲望

Culture Translation Between “Local” and “International”: The Golden Harvest Award in Taiwanfilm festival culture been translated in Taiwan? Second, how might film festivals function as a cultural broker to enhance the quality of film education and the growth of the local film industry while projecting Taiwan’s cultural values and soft power abroad? This chapter will add to the existing li

Innocence

爱管闲事

Erythropoietin

CAMP

What Can Small Festivals Do? Toward Film Festivals as Testimony to Expanded Civic Engagement in Post and industry constraints. Some serve civic culture in notable ways besides the expansion of cinematic art. This chapter examines two small festivals in Hong Kong: the social movement film festival (smff) and the Chinese Documentary Festival (CDF). Results of field and festival program research indi

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