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Titlebook: China’s Music Industry Unplugged; Business Models, Cop Zhen Troy Chen Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 China’

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发表于 2025-3-21 18:18:38 | 显示全部楼层 |阅读模式
书目名称China’s Music Industry Unplugged
副标题Business Models, Cop
编辑Zhen Troy Chen
视频video
概述Explores the intersection of cultural and creative industries, legal studies, business studies, and new media.Mixes research approaches to study business innovations and institutions in China.Presents
图书封面Titlebook: China’s Music Industry Unplugged; Business Models, Cop Zhen Troy Chen Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 China’
描述.This research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in China’s music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world..
出版日期Book 2021
关键词China’s music industries; Business models; Changing copyright climate; Transforming business environmen
版次1
doihttps://doi.org/10.1007/978-981-16-3949-4
isbn_softcover978-981-16-3951-7
isbn_ebook978-981-16-3949-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2021
The information of publication is updating

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https://doi.org/10.1007/978-3-663-02875-8orm economy discourses to analyse the unique features of the new economy. To be specific, I address the issue of the technology shift, demographic shift of fans and users, and the changes of consumption modes. This chapter follows a problem-and-tension-driven logic in order to better guide the analy
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Richtige Anzahl der Werkzeugmaschinen,des much neglected evidence about the autonomous development of Chinese copyright law. So far, the book has addressed the paradox between the weak copyright regime in China and its recent seemingly positive development in the music industry, particularly in the online digital sector. This chapter wi
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Rationeller Dieselmaschinen-Betriebusic industry is a concept derived from the cultural industry concept coined by Adorno and scholars of the Frankfurt School. It views popular music as mass produced industrial goods. To put it into a nutshell, it focuses on the creation of music and the value exchange and realisation of it through m
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