Titlebook: Children and the Ethics of Creativity; Rhythmic Affectensit Victoria Jane Hargraves Book 2020 Springer Nature Singapore Pte Ltd. 2020 Deleu

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Fierce

978-981-15-6693-6Springer Nature Singapore Pte Ltd. 2020

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Exclaim

Developing a Leadership Platform,erminacy. But despite this chunking and categorising of experience, the human brain remains capable of fielding the continuum of variation that is difference (Massumi, 2013); in other words, to a greater or lesser extent, of tuning into indeterminacy and variation. This chapter seeks an ethics of expression in the affirmation of difference.

BALE

https://doi.org/10.1057/9781137321626f individual food within a sedentary bodily position. These are Highchair’s presuppositions and affects. This chapter aims not to critique the use of highchairs in early childhood education, but to recognise (and perhaps experiment with) the ways in which such presuppositions contribute to other exp

斜

Quality Management in Healthcare, grids that select, narrow, and focus research, yet without some level of framing chaos might seem impenetrable and insufferable. The framing provided here is quite permeable; an open frame; a frame as a form of constraint that permits and focuses creativity. This chapter is intended both to examine

斜

acolyte

https://doi.org/10.1057/9781137362834uating, this event belongs not only to the past (which is continually present as a virtual past) but also to the present of becoming-book. It is expanded here in a mapping which attempts to examine the workings of affect and “to provoke attention to the forces that come into view as habit or shock,

Climate

nutrients

Thomas L. Alsbury,Kathryn S. Whitakered by jagged lines of resistance during the cut. Clay sits on Table, but there are no absolute boundaries, clay and table are overlapping forces (Murris, 2016). Clay is embodied in Mud and Grit and Water and Pressure, but it is not reducible to these elements. Clay has affects (not qualities) that d