Titlebook: Charles Dickens; A Literary Life Grahame Smith Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 Charles Dicken

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Periodicals, Journalism and the Literary Essay,er, apart from novel writing, but none exceeded his attachment to periodical journalism, for which his fascination never waned. The major purpose of this chapter will be to explore, and to explain, Dickens’s engagement with this area.

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Authorship and Literary Production,hem is more complicated than common sense would suggest. ‘Dickens’, a convenient and perhaps unavoidable label, masks a range of Dickenses which, taken together, constitute a highly complex whole. This very richness suggests the difficulty of holding the complete range of what can be meant by Dicken

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Periodicals, Journalism and the Literary Essay, figures in English literature have had occupations and interests outside of literature, either from necessity or choice. T. S. Eliot’s work as a banker and, later, his long involvement with the publishing house of Faber & Faber are well known, and biographies of Anthony Trollope chronicle in exhaus

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Theatre and Popular Entertainment,rchaeologist: ‘Here is a queer question I am going to ask you. Have you any curiosity to see the Great Fight (at a cost of Three Guineas)?…it is to come off at Daybreak on Tuesday morning’ (Nonesuch III, 155–6). As so often Dickens’s insatiable curiosity prompted him towards an event of some general

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,Dickens’s Public: Adulation and Constraint,h his reading public; which, when all is said, is by far the most interesting love-affair of his life’.. A topic as rich as this will have to be broken down into its constituents, many of which are controversial, if it is to receive anything like satisfactory treatment. The size and nature of Dicken

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