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Titlebook: Charles Dickens; A Literary Life Grahame Smith Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 Charles Dicken

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书目名称Charles Dickens
副标题A Literary Life
编辑Grahame Smith
视频video
丛书名称Literary Lives
图书封面Titlebook: Charles Dickens; A Literary Life Grahame Smith Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 Charles Dicken
描述This study of Dickens‘s career as a professional writer uses a range of material to describe and analyze the ways in which his work can be seen as a form of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serialization.
出版日期Book 1996
关键词Charles Dickens; chronology; essay; expectation; knowledge; nature; theatre; tradition
版次1
doihttps://doi.org/10.1007/978-1-349-24489-8
isbn_softcover978-0-333-55719-8
isbn_ebook978-1-349-24489-8Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1996
The information of publication is updating

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Book 1996orm of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serialization.
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Cellular Responses to Tissue Distortionhem is more complicated than common sense would suggest. ‘Dickens’, a convenient and perhaps unavoidable label, masks a range of Dickenses which, taken together, constitute a highly complex whole. This very richness suggests the difficulty of holding the complete range of what can be meant by Dicken
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https://doi.org/10.1007/3-540-28804-Xuently as the ‘purest’ of art forms, the one most free from the inhibitions of content. But the history of music is at least partly the history of technological development and the possibilities this reveals for composers and performers. Until Mr Sax invented his instrument in 1840, the peculiar sou
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Cylinders Under Internal Pressure, figures in English literature have had occupations and interests outside of literature, either from necessity or choice. T. S. Eliot’s work as a banker and, later, his long involvement with the publishing house of Faber & Faber are well known, and biographies of Anthony Trollope chronicle in exhaus
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