Titlebook: Carson McCullers in the Twenty-First Century; Alison Graham-Bertolini,Casey Kayser Book 2016 The Editor(s) (if applicable) and The Author(

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,“Nature is Not Abnormal; Only Lifelessness is Abnormal”: Paradigms of the In-valid in ,,may in the future be free of heteronormative constraints. Graham-Bertolini argues that McCullers deliberately undermines conceptions of “normality” in the main characters of . by demonstrating how performances of “the normal” lead them to tragedy, and she reveals how the atypical attributes of these

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Seeking the Meaning of Loneliness: Carson McCullers in China, McCullers’ scathing representation of loneliness in her fiction. McCullers’ “loneliness” has different meanings to two successive generations of Chinese readers: for the first, it signifies isolation within a community, and for the other, it is more closely aligned with the concept of alienation in

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,Jester’s Mercurial Nature and the Hermeneutics of Time in McCullers’ ,,s to remonetize Confederate currency, his teenage grandson, Jester, advocates for racial equality. In the Judge’s eyes, however, his beloved grandson’s deviance represents a natural part of his youthful development. Meanwhile, the biracial adolescent Sherman faces deadly consequences for similarly t

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2634-579X d archival material that shows a more complex and richer pic.The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection i

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Optimal Interprocedural Program Optimization the main characters of . by demonstrating how performances of “the normal” lead them to tragedy, and she reveals how the atypical attributes of these characters ultimately allow them to challenge the discriminatory social order instead.

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The Image of the String Quartet Lurking in ,,er also explores why McCullers almost unconsciously but repeatedly used the image of a string quartet at that time. Magome finally compares McCullers’ early works with T. S. Eliot’s . and Thomas Mann’s . in terms of the image of a string quartet, examining a much larger musico-literary, socio-historical context during World War II.

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