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Titlebook: Carnival and Power; Play and Politics in Vicki Ann Cremona Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Colonialism.Indep

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发表于 2025-3-21 19:08:06 | 显示全部楼层 |阅读模式
书目名称Carnival and Power
副标题Play and Politics in
编辑Vicki Ann Cremona
视频videohttp://file.papertrans.cn/223/222149/222149.mp4
概述Represents the only book to tackle the British colonial period exclusively in relation to the tradition of Carnival.Examines politics of power and resistance through the history of Carnival.Presents a
丛书名称Transnational Theatre Histories
图书封面Titlebook: Carnival and Power; Play and Politics in Vicki Ann Cremona Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Colonialism.Indep
描述This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
出版日期Book 2018
关键词Colonialism; Independence; Nationalism; Protest; Class
版次1
doihttps://doi.org/10.1007/978-3-319-70656-6
isbn_softcover978-3-319-88975-7
isbn_ebook978-3-319-70656-6Series ISSN 2946-5893 Series E-ISSN 2946-5907
issn_series 2946-5893
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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W. Poser,S. Poser,B. Piesiur-Strehlow,P. Evagiven to the ways the poorer sections of society engaged in play to achieve a temporary reversal of status. The chapter highlights the social evolution of certain forms of play that gradually came to be considered as Carnival traditions, and how some of these were claimed as expressions of national identity.
发表于 2025-3-22 06:14:12 | 显示全部楼层
Nutzen und Risiko von Kosmetikath local and colonial politics. It illustrates how Carnival amusement served as a pretext for different political players, some of who are presented in Chap. ., to expose social and political issues and to demonstrate nationalist ideas through caricature and criticism. It discusses the suppression of satires in 1935.
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Book 2018d gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
发表于 2025-3-22 19:40:55 | 显示全部楼层
2946-5893 er and resistance through the history of Carnival.Presents aThis book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspect
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