Titlebook: Border Masculinities; Literary and Visual Amit Thakkar,Brian Baker,Chris Harris Book 2024 The Editor(s) (if applicable) and The Author(s),

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,Liminal Bodies: Disability and the Making of a Masculinity in J. M. Coetzee’s , ‘normal’ and ‘deviant’ masculinity remain underexplored. This chapter analyses the implications of disability for identifying the external parameters of male identity against a set of social and cultural norms in Coetzee’s novel . (2005). The protagonist Paul Rayment recognises his male identity as

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,Gendered Borders/Bordered Genders in Maryse Condé’s ,es, languages and identities in complex . (Glissant, 1990) with each other. This chapter explores borders and border crossings in a novel by Maryse Condé, one of the most critically acclaimed female authors from the French Caribbean. . (1992) follows an illustrious male dynasty from its glorious Afr

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,Superheroes, Spectacles and Hoods: ‘Dances of Identity’ in Uncommon Spaces,fer a countermodel: women can wear glasses only if they dramatically shed them (along with their librarian bun) to incarnate picture-perfect womanhood (from ., 1942, to ., 1999). The cumbersome accessory carries intermingled connotations, sometimes underlining a character’s status as the bearer of t

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Reconfiguring Masculinities: Generic Hybridisation, Postfeminist Fatherhood and Queer Readings in , this tradition by displaying intensified transmedia exchanges and an expansion of source materials in practices such as screen-to-stage-to-screen adaptations, remakes, serialisation and generic hybridisation. . (dir. T. Hooper, .. Universal Pictures, 2012) provides a fertile example to explore the

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,Feminicidal Masculinities: Cultural Contestations of Gender Violence in Ciudad Juárez,s Jill Radford and Diana E. H. Russell put it, ‘[f]emicide is on the extreme end of a continuum of anti-female terror’ (1992), the scale and violence of the murders in Juárez put them at the extreme end of the extreme end. In a context in which most of the murdered women of Ciudad Juárez are poor, i

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https://doi.org/10.1007/978-3-031-68050-2masculinities; film; borders; television; literature; border studies