Titlebook: Border Masculinities; Literary and Visual Amit Thakkar,Brian Baker,Chris Harris Book 2024 The Editor(s) (if applicable) and The Author(s),

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,Feminicidal Masculinities: Cultural Contestations of Gender Violence in Ciudad Juárez,y ‘becomes legible as masculinity when it leaves the white male middle-class body’ (1998), it argues that both novel and film perform what is termed ‘affective theorising’ on the feminicidal masculinities of perpetrators, the structures that enable them, and anti-femicidal masculinities, including t

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onses to varying cultural representations of such masculinities in Europe, the Americas, the Caribbean, Australasia and Asia. Thematic and conceptual connections between them are discussed in the introductory chapter and such links are also made between chapters..978-3-031-68052-6978-3-031-68050-2

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https://doi.org/10.1007/978-3-642-96697-2m)potency. The trope of libidinal capacity also serves as allegory to entrench and reproduce localised inequalities through legitimising the marginalisation of men from other regions within a Beijing-centric discourse. Glossing over injustices of unemployment and social inequalities suffered by Dami

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https://doi.org/10.1007/978-3-642-96697-2oreign’ man. I gauge whether Anzaldúa’s ‘border consciousness’ can be applied to men meeting the criteria she delineates and how their experiences relate to the notion of ‘la facultad’. I also examine the texts through Amin Maalouf’s notion of one identity and multiple belongings as developed in his

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Methoden, Texte, Methodenvergleich,egation’—that mirror the transitional stages in an initiation rite. This liminal dimension of masculinity is materialised in the presence of different women, one of whom is Elizabeth Costello, the eponymous protagonist of Coetzee’s earlier novel. I suggest that the main role of women in . is to take

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Dietmar Bolscho,Gerd Michelsen Bolschorough Condé’s portrayal of gender identities. This chapter examines the ways in which the author dismantles conventional representations of masculinity and femininity and destructive, one-dimensional stereotypes, such as compensatory hyper-virility, using narrative techniques such as humour and iron

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Dietmar Bolscho,Gerd Michelsen Bolschoapter within the framework of certain features of Spanish American caciquismo, exercising local economic power in much the way caciques of Spanish American novels do, especially in Juan Rulfo’s . (1955), which forms a comparative companion to the chapter. Depending on spatially contingent power rela