Titlebook: Brooklyn’s Renaissance; Commerce, Culture, a Melissa Meriam Bullard Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Brooklyn

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Black Ball Business and Commercial Networks,nd including American agents Thomas Wren Ward in Boston and Jonathan Goodhue and Captain Charles Marshall in New York. The chapter follows Luther Wyman’s early career from a Massachusetts farm to bathing house proprietor, clerk in an Erie Canal towboat company, to merchant with the Black Ball Line.

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Sociability, Civil War, and a Diverted Renaissance, war relief activities. Luther Wyman took under his wing the 48th Regiment of New York Volunteers at Fort Hamilton. Brooklyn’s elite attempted to balance war relief, social reality, and their continued commitment to the civilizing potential of the arts.

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Culture of War Relief,ensions over exclusivity continued to rankle conservative and progressive factions over what constituted proper taste in polite society and whether alcohol and raffling should be permitted at the Fair.

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A Fading Renaissance,cted the arts and their patrons, weakening Brooklyn’s civic fabric and public trust. Luther Wyman’s death and nearly forgotten legacy showed not the power of memory, but rather revealed the effect of forgetting how commerce, culture, and community had once combined to make The Brooklyn Renaissance happen.

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Book 2017he Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association.  The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerc

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Introduction,mong them the exemplar Luther Boynton Wyman of the Black Ball Line of Liverpool packets. Atlantic commercial networks, collaborative patronage, and civic pride conjoined to create Brooklyn’s arts-centered civic identity separate from New York City. Renaissance as cultural flowering found parallel pr

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