Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla

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Persuaded? The Impact of Changing Production Contexts on Three Adaptations of a. The first, interested above all in technological development and advancement in production processes, proffers a generally rosy perspective whereby ever-improving equipment and facilities open up endless new possibilities for innovation and quality. The second, in contrast, observes that the chan

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Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Dramanies of the project to challenge cultural paternalism and celebrate audience diversity that by undermining one bit of the ruling class, it appeared to endorse the ambitions of another. Thus did post-Marxist academia give a progressive seal of approval to letting the multicultural market rip; and if,

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: Reinventing the British Costume Dramahe 1950s to the present through a combination of formal and stylistic analysis focusing on key texts and contextual analysis of the institutional determinants that have helped to shape the history of the genre. The early history of costume drama is dominated by the BBC which specialised in the produ

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‘What Truth is There in this Story?’: The Dramatisation of Northern Ireland BBC and around 50 of them produced by BBC Northern Ireland.. A significant number provoked controversy in the press at the time of transmission and some led to objections in Parliament, yet up to now they have received little critical or scholarly attention; whilst a number of works have been publi