Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla

Forestall

书目名称British Television Drama影响因子(影响力)




书目名称British Television Drama影响因子(影响力)学科排名




书目名称British Television Drama网络公开度




书目名称British Television Drama网络公开度学科排名




书目名称British Television Drama被引频次




书目名称British Television Drama被引频次学科排名




书目名称British Television Drama年度引用




书目名称British Television Drama年度引用学科排名




书目名称British Television Drama读者反馈




书目名称British Television Drama读者反馈学科排名

Offensive

说明

聚集

https://doi.org/10.1007/978-3-642-97248-5pectives on the development of UK television drama in the latter part of the twentieth century. Whilst there was a particular focus on the institutions, practices and personnel of the so-called ‘Golden Age’ of the 1960s and 1970s — reflecting the conference from which several of the contributions ca

epinephrine

BIPED

Dislocation

Produkt-, Sortiments- und Servicepolitik, I was given my first job as assistant story editor, in 1960, by the now legendary Sydney Newman.. I had sent Sydney a children’s serial which I had written about the first settlers in Virginia. In retrospect, it was hardly a subject likely to appeal to a man of his tastes, but it got me an intervie

杂役

Produkt-, Sortiments- und Servicepolitik,er and director in the 1960s and 1970s.. I ought to say at the outset that I was probably the main progenitor of the theory that the late fifties and the sixties were the ‘Golden Age’ of television, in an account I gave for the first MacTaggart lecture.. I would love everybody who got that phrase fr

独行者

Communal

Gerald Corbae,Jakob B. Jensen,Dirk Schneider saw, with the launch of Channel 4, the first episode of . (1982–2003), the programme my name would probably become best known for, alongside . (BBC 1978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on th