Titlebook: British Crime Film; Subverting the Socia Barry Forshaw Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 21st c

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Mockney Menace: The New Wave,or massively cruel, stone-faced psychopathic killers (often in the same films, the former relentlessly pursued by the latter). It’s a film trend which is still producing a variety of examples today, but the kind of acclaim and audience enthusiasm which accompanied the early work in the field now largely seems a distant memory.

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https://doi.org/10.1007/978-3-030-23447-8Michael Curtiz’s . prompted the stern edict ‘There must be no suggestion of a sexual relationship between Humphrey Bogart and Ingrid Bergman’), until iconoclastic filmmakers such as Otto Preminger began to challenge such censorship in the 1950s with films that treated their audiences as adults.

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Scourging the Unacceptable: Censorship Battles,Michael Curtiz’s . prompted the stern edict ‘There must be no suggestion of a sexual relationship between Humphrey Bogart and Ingrid Bergman’), until iconoclastic filmmakers such as Otto Preminger began to challenge such censorship in the 1950s with films that treated their audiences as adults.

条约

2947-8340 ding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.978-1-137-00503-8978-1-137-27459-5Series ISSN 2947-8340 Series E-ISSN 2947-8359

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Class and Crime: Social Divisions,he classes in society. A new meritocracy of crime began to emerge, along with a carefully maintained, class-bound social order that was still maintained (even within the context of criminal enterprise).