Titlebook: British Crime Film; Subverting the Socia Barry Forshaw Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 21st c

听写

The Regions,aspects of British life marginalised by more mainstream British movies: such aspects included the contrast of Southern privilege with Northern joblessness, the breeding grounds of crime-ridden housing estates, a committed treatment of racism and the ideological distance of regional coppers from the

对待

Breaking Taboos: Sex and the Crime Film,officially licensed to undertake groundbreaking treatments of previously undiscussed sexual themes: paedophilia, miscegenation, homosexuality and sexual obsession. And inevitably, given its recurrent illegality, the oldest profession has been incorporated into many a crime narrative — with astonishi

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粗俗人

温和女孩

flimsy

Twenty-First-Century Hybrids,es making periodic reappearances (after a suitable interval) for new audiences who — in many cases — will be unfamiliar with the material or its presentation. If a cursory examination of the crime field suggests that it is now tougher and colder than it has ever been, with a rock-hard carapace that

faddish

Massimiliano Nuccio,Sofia Mognomportant film producers such as the Presbyterian J. Arthur Rank, famous for insisting on outward rectitude. In light of these attitudes, the (hidden) subversive nature of some of the films is provocative.

Hyperlipidemia

额外的事

https://doi.org/10.1007/978-3-030-23447-8lements: certain non-heritage (and less respectable) facets of the capital were utilised only in the crime genre (such as the seedy subculture of pornographic photo studios and bookshops in Michael Powell’s ., as discussed above). More specifically, the genre has afforded a vision of the compact district of Soho as a microcosm of Britain.

PET-scan

Miriam Godoy Penteado,Ole Skovsmoseor massively cruel, stone-faced psychopathic killers (often in the same films, the former relentlessly pursued by the latter). It’s a film trend which is still producing a variety of examples today, but the kind of acclaim and audience enthusiasm which accompanied the early work in the field now largely seems a distant memory.