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Titlebook: Britain Through Muslim Eyes; Literary Representat Claire Chambers Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 literature

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‘I haf been to Cambridge!’: Muslim Fictional Representations of Britain, 1855–1944In Egyptian Christian writer Waguih Ghali’s 1964 novel ., the protagonist Ram thinks from the vantage point of Egypt that:
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Book 2015What did Britain look like to the Muslims who visited and lived in the country in increasing numbers from the late eighteenth century onwards? This book is a literary history of representations of Muslims in Britain from the late eighteenth century to the eve of Salman Rushdie‘s publication of The Satanic Verses (1988).
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Temperature Effects in Semiconductors,e other genres: fiction, history and travel writing (2009: 89). He points out that ‘autobiography has always proved difficult to classify in anything approaching watertight theoretical terms’ (2009: 69). He follows Patrick Holland and Graham Huggan (2000: 12) in identifying areas of overlap between
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Personal Implications of Changesgland-returned’. class to predominantly coming from the myth of return class. This chapter and the previous one examine the largely upper-class, transient, intellectual class of ‘England-returned’ writers (they are Arab and white British as well as South Asian). In the final chapter on the 1970s and
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Personal Implications of Changes Leaving aside Tunku Abdul Rahman Putra’s 1970s memoirs, discussed in the second chapter, the only creative texts that I have been able to find do not fit this book’s remit neatly enough to discuss them in more than the broadest terms. Zulfikar Ghose’s novel . (1975) is a rare book set in Britain by
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Personal Implications of Changes asserting their identity politics from the early 1980s onwards, well before Rushdie’s crisis. Many Muslims campaigned for the removal of Ray Honeyford, the headteacher of Drummond Middle School in Bradford. He had written in favour of integration and against what he called ‘multi racialism’ (multic
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