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Titlebook: Britain Through Muslim Eyes; Literary Representat Claire Chambers Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 literature

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发表于 2025-3-21 18:31:06 | 显示全部楼层 |阅读模式
期刊全称Britain Through Muslim Eyes
期刊简称Literary Representat
影响因子2023Claire Chambers
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图书封面Titlebook: Britain Through Muslim Eyes; Literary Representat Claire Chambers Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 literature
影响因子What did Britain look like to the Muslims who visited and lived in the country in increasing numbers from the late eighteenth century onwards? This book is a literary history of representations of Muslims in Britain from the late eighteenth century to the eve of Salman Rushdie‘s publication of The Satanic Verses (1988).
Pindex Book 2015
The information of publication is updating

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发表于 2025-3-21 23:34:26 | 显示全部楼层
‘Truly a person progresses by travelling and interacting with different peoples’: Travelogues and Lie other genres: fiction, history and travel writing (2009: 89). He points out that ‘autobiography has always proved difficult to classify in anything approaching watertight theoretical terms’ (2009: 69). He follows Patrick Holland and Graham Huggan (2000: 12) in identifying areas of overlap between
发表于 2025-3-22 01:21:14 | 显示全部楼层
‘England-Returned’: British Muslim Fiction of the 1950s and 1960sgland-returned’. class to predominantly coming from the myth of return class. This chapter and the previous one examine the largely upper-class, transient, intellectual class of ‘England-returned’ writers (they are Arab and white British as well as South Asian). In the final chapter on the 1970s and
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The Myth of Conclusion asserting their identity politics from the early 1980s onwards, well before Rushdie’s crisis. Many Muslims campaigned for the removal of Ray Honeyford, the headteacher of Drummond Middle School in Bradford. He had written in favour of integration and against what he called ‘multi racialism’ (multic
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Personal Implications of Changesient, intellectual class of ‘England-returned’ writers (they are Arab and white British as well as South Asian). In the final chapter on the 1970s and 1980s, a more permanent, generally working-class ‘myth of return’ class of writers is in the ascendant.
发表于 2025-3-23 07:36:31 | 显示全部楼层
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