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Titlebook: Brazilian Bodies and Their Choreographies of Identification; Swing Nation Cristina F. Rosa Book 2015 The Editor(s) (if applicable) and The

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Decoding the Ginga Aesthetice bodily swing — i.e. the ginga — present in Afro-Brazilian practices such as samba and capoeira have “contaminated” that European recreation in Brazil, transforming the Apollonian sport into a Dionysian dance or “foot-ball mulato” (see the Introduction).
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Brazilian Bodies and Nationalism in Dancet sort of imaginary interpolation could resonate with the offspring of a horned ruminant known for its lively and frisky behavior with a typically all-white water bird notorious for its phallic neck? And, furthermore, what kind of daring acrobatic feat would this “crossbreed” idea have to execute in
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What is it about Grupo Corpo?clusion). As I walked out of the theater that night, I also remember thinking to myself, and later sharing with my dance teachers and fellow students, that I had never seen a professional dance company in Brazil moving “like that.” Shortly after that performance, the dance critic Helena Katz propose
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