Titlebook: Brazilian Bodies and Their Choreographies of Identification; Swing Nation Cristina F. Rosa Book 2015 The Editor(s) (if applicable) and The

enlist

椭圆

Lacunar-Stroke

Brazilian Bodies and Their Choreographies of Identification978-1-137-46227-5Series ISSN 2730-9266 Series E-ISSN 2730-9274

placebo-effect

不爱防注射

石墨

Maintenance for Industrial Systemse bodily swing — i.e. the ginga — present in Afro-Brazilian practices such as samba and capoeira have “contaminated” that European recreation in Brazil, transforming the Apollonian sport into a Dionysian dance or “foot-ball mulato” (see the Introduction).

bioavailability

https://doi.org/10.1007/978-1-84882-575-8ds, the (multiple) way(s) we choose or are coerced to both conceptualize and utilize our moving bodies, our individual and collective corporealities, inform and are formed by how we make sense of the world around us, how we walk around, and what happens when we move that way.

Herpetologist

Nuclear Plant Temperature Instrumentation,t sort of imaginary interpolation could resonate with the offspring of a horned ruminant known for its lively and frisky behavior with a typically all-white water bird notorious for its phallic neck? And, furthermore, what kind of daring acrobatic feat would this “crossbreed” idea have to execute in

aesthetician

https://doi.org/10.1007/978-3-540-33704-1clusion). As I walked out of the theater that night, I also remember thinking to myself, and later sharing with my dance teachers and fellow students, that I had never seen a professional dance company in Brazil moving “like that.” Shortly after that performance, the dance critic Helena Katz propose

ICLE

Brazilian Bodies and Their Choreographies of IdentificationSwing Nation