Titlebook: Border Ecology; Art and Environmenta Ila Nicole Sheren Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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https://doi.org/10.1007/978-981-13-6404-4ts may play. This chapter examines the connections between new materialism and postcolonial theory using the eco-art project . (2013–ongoing) by St. Louis-based artists Libby Reuter and Joshua Rowan and the interactive web-based documentary . (2012), by Leanne Allison and Jeremy Mendes. The former s

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Conclusions and New Directions: Border Art for a Border Ecology,Chapter ., the conclusion, takes up the question of the U.S.-Mexico border and asks what it would look like to make border art for a border ecology. Postcommodity’s 2015 installation . serves as the anchor for this brief discussion.

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Introduction,rticular agency. I then trace the shortcomings of such an object-oriented approach, as well as the critiques of mainstream environmentalism coming out of decolonial theory and subaltern studies. The introduction then gives a brief rundown of Barad’s agential realist solution and sketches out what I

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Entanglements,ideo piece, Vibha Galhotra’s . (2015). This chapter is where I present “border ecology” as my solution to thinking through the problematic nature of “objects” in regard to postcolonial identities and the Global South at large. Galhotra’s video consists of a depiction of the sacred Yamuna River, stee

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Border Crossers,ts may play. This chapter examines the connections between new materialism and postcolonial theory using the eco-art project . (2013–ongoing) by St. Louis-based artists Libby Reuter and Joshua Rowan and the interactive web-based documentary . (2012), by Leanne Allison and Jeremy Mendes. The former s