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Titlebook: Border Ecology; Art and Environmenta Ila Nicole Sheren Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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发表于 2025-3-21 17:59:08 | 显示全部楼层 |阅读模式
期刊全称Border Ecology
期刊简称Art and Environmenta
影响因子2023Ila Nicole Sheren
视频video
发行地址Ecology meets decolonial praxis in digital media.How visual art can give insights into environmental crises.What is missing from ecocritical art? Video, photography and internet art from the margins
图书封面Titlebook: Border Ecology; Art and Environmenta Ila Nicole Sheren Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license t
影响因子.This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.” Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment. The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism..
Pindex Book 2023
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发表于 2025-3-21 22:54:57 | 显示全部楼层
art? Video, photography and internet art from the margins.This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad’s method of “agential realism,” which understands disparate factors as working together and “entangled.” Through an analysis of digita
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发表于 2025-3-22 08:09:36 | 显示全部楼层
Introduction, of decolonial theory and subaltern studies. The introduction then gives a brief rundown of Barad’s agential realist solution and sketches out what I mean by “border ecology.” Finally, I address relevant literature in the field of eco art, as well as relevant theories of digital media.
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https://doi.org/10.1007/978-3-0348-7478-6 I argue, however, that rather than doing away entirely with allusions to the Western Romantic separation of human and nature, such digital landscapes are poised to ask critical questions: what kind of “nature” is represented in such a digitized, data-driven landscape? Can the visual of a schematic,
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