Titlebook: Bodies, Noise and Power in Industrial Music; Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u

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https://doi.org/10.1007/978-1-4613-1131-7ressive, resistant, and distinctly localised ways. The union of industrial and hip-hop genres creates a vehicle that is philosophically primed for mobilising voices against oppressive forces. . generates and draws on these synergies to tell experiential life stories that render visible counter-hegem

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L. G. Blomberg,M. Demirbüker,M. Anderssonthe film . (“The Show”), and the anxiety of the human as caught in a machine in “Wake Up.” The music video for “Inside-Out” features Daveed Diggs walking at night in Los Angeles with revolving images for his head: roses, skulls, smoke, bullets, a white man’s face, and police lights. In this chapter,

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Lipid Analysis in Oils and Fatsh and the body-experimentation and transhumanism of Throbbing Gristle and Psychic TV. A particular example of this is that of Coil, who moved from profoundly disconcerting analog effects on their debut album, ., as a reflection on sodomy and queer identity in the time of AIDS through electronic medi

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https://doi.org/10.1007/978-1-4615-4929-1f both industrial and black metal by adopting a more esoteric type of Satanism. This chapter will explore the esoteric concepts behind different projects, probe the interrelated networks of initial industrial esoteric associations in earlier projects and bands and their influence in the evolution of

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