Titlebook: Bodies, Noise and Power in Industrial Music; Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u

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Jason Whittaker,Elizabeth PotterOffers a multi-disciplinary perspective on the key aspects of industrial music.The book includes analysis and interviews with artists, bands and video makers involved in the scene.First book on indust

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Pop Music, Culture and Identityhttp://image.papertrans.cn/b/image/189526.jpg

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加花粗鄙人

https://doi.org/10.1007/978-94-011-7176-2der Michael Gira’s lyrics and imagery emphasized the dissolution of individuality when subjected to the harsh conditions of New York City in the early 1980s. However, as the music of Swans changed alongside Gira’s literary and socio-cultural interests—as well as his aspirations to breach the mainstr

乐器演奏者

https://doi.org/10.1007/978-1-4613-1131-7ting from various regions in the Middle East and North Africa (MENA). The purpose of . was to shine a light on women artists existing within regimes characterised by censorship, obscurantism, and gendered discrimination, and to produce an artistic statement of defiance to these paradigms of control.

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L. G. Blomberg,M. Demirbüker,M. Anderssonolence, and torture are staples of industrial music, but clipping. presents them in a distinctly Black American context. This chapter traces the relationships of exertions of power and Black bodies throughout these two albums and music videos to examine an as-of-yet unexplored perspective on the hor

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Lipid Analysis in Oils and Fatsthe USA which corresponded to reconfiguring the body as part of subcultural practices that had their origins in body modding practices in the gay community of the late 1970s. Body modding fetishism, especially around routines such as extreme body piercing and scarification, offered a different appro

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John Katsaras,V. A. Raghunathanand released on a local indie label as .. SPK emphasized the grotesqueries of the body, with images of deformed and mutilated bodies adorning their album art (including .). Their inclusion of these bodies was to question conventional standards of beauty, display the physicality of mental disorders,