Titlebook: Black Magic Woman and Narrative Film; Race, Sex and Afro-R Montré Aza Missouri Book 2015 The Editor(s) (if applicable) and The Author(s) 20

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Eltern, ihre Probleme und ihre Beratung,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.

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Book 2015Black Magic Woman and Narrative Film examines the transformation of the stereotypical ‘tragic mulatto‘ from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character‘s journey towards African-based religions.

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,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.

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,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a

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Beauty as Power: In/visible Woman and Womanist Film in ,heatrical release. Set in 1903 at the dawn of the twentieth century, this story chronicles the experiences of the Peazants, three generations of Gullah women and their family’s migration from the remote southern Sea Islands to the urban, industrial north of the United States. Framed amid the seeming

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: Baadasssss Mamas and Third Cinema in ,l of cultural identity, at times fuelling the imagination of a white southern elite eager for signifiers of cultural demarcations between themselves and their northern neighbours in the United States. African American folklore and culture, as embodied in the Voodoo lady figure, provides this desired