找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Beyond Immersive Theatre; Aesthetics, Politics Adam Alston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audience particip

[复制链接]
楼主: 征募
发表于 2025-3-25 03:29:57 | 显示全部楼层
http://image.papertrans.cn/b/image/185204.jpg
发表于 2025-3-25 08:01:06 | 显示全部楼层
https://doi.org/10.1057/978-1-137-48044-6audience participation; experimentation; immersion; narcissistic participation; performance; Punchdrunk; p
发表于 2025-3-25 13:33:43 | 显示全部楼层
978-1-349-69394-8The Editor(s) (if applicable) and The Author(s) 2016
发表于 2025-3-25 16:56:39 | 显示全部楼层
,Theatre in a Box: Affect and Narcissism in Ray Lee’s ,, case study Ray Lee’s . (2011), a headphone performance for an audience of one to be experienced whilst shut inside a very small and very cold box. Through a critical analysis of . informed by affect studies, he identifies the production and experience of affect as important aesthetic features of an
发表于 2025-3-25 21:34:08 | 显示全部楼层
,Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-Black Theatre,lston asks: what happens to the productivity of spectatorship in total darkness? He proposes that the inherent creativity and productivity of spectators is exacerbated when faced with the risky prospect of participation. Drawing on risk research in the social sciences and its influence on Third Way
发表于 2025-3-26 03:28:36 | 显示全部楼层
发表于 2025-3-26 06:17:07 | 显示全部楼层
Frustrating Theatre: Shunt in the Experience Economy, consumers. However, Alston considers how immersive theatre makers are finding ways to subvert a culture of producing consumerism by frustrating the productive participation of audiences. Focusing on work by the British theatre collective shunt, he explores frustration as that which interrupts a per
发表于 2025-3-26 11:50:32 | 显示全部楼层
,Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souk,cognition. However, Alston contends that a young and inexperienced demographic, which risks marginalisation, also make important contributions as immersive theatre makers. Focusing on Theatre Delicatessen’s curation of such work in their pop-up ‘Theatre Souks’, and appropriating the writing of Jacqu
发表于 2025-3-26 14:50:00 | 显示全部楼层
Dynamic Firewall Configuration Optimization,e compared with the peer standardization efforts for open node interfaces. Two example applications demonstrate how ANs can improve the functionality of today’s networks, and how mobile agents enhance the robustness and performance of the AN solution.
发表于 2025-3-26 18:39:50 | 显示全部楼层
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 SITEMAP 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-6-2 10:31
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表