| 期刊全称 | Beyond Immersive Theatre | | 期刊简称 | Aesthetics, Politics | | 影响因子2023 | Adam Alston | | 视频video | | | 发行地址 | Explores the tacit politics to immersive theatre aesthetics | | 图书封面 |  | | 影响因子 | .Immersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny? .Beyond Immersive Theatre. contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics – a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.. | | Pindex | Book 2016 |
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发表于 2025-3-21 16:21:42
