Titlebook: Belly Dance, Pilgrimage and Identity; Barbara Sellers-Young Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 traditional dan

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Belly Dance, Gender and Identity,olicies towards homosexuality or assumed homosexuality challenged the position of these dancers. Male dancers were introduced to the international stage during the Chicago World Fair in 1893 in which one of the dancers was a man called Mohammed. In North America in the 1970s, men were influenced by

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Dancing the Goddess in Popular Culture: Resistance, Spirituality and Empowerment,

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Fusion, Dark Fusion and ,,perform the history of the dance and various forms of identity by embracing the Egyptian . . beside American Tribal and Gothic Belly Dance. Other dancers have evolved what they refer to as Fusion Belly Dance, an amalgamation of movement vocabularies that can include hip-hop, Bollywood, classical Indian dance forms and Hawaiian Hula.

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Belly Dance, Gender and Identity,the belly dance’s popularity and began to develop public careers as dancers. The convergence of male and female dancers on the global stage has expanded the conception of the dance as female and drawn attention to the role gender plays in general.

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