Titlebook: Beckett, Deleuze and the Televisual Event; Peephole Art Colin Gardner Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi

圣歌

胆大

增长

Advances in Intelligent and Soft Computing text in the latter’s overall cinematic taxonomy. Deleuze uses it as a reverse proof of the three varieties of movement-image through their progressive extinguishing or exhaustion, moving in reverse order from the action-image, through the perception-image, to the affect-image. However, Deleuze has

迁移

引起痛苦

GRAIN

W. Sieklicki,M. Kościuk,S. Sieklicki which was first transmitted in Germany by SDR in October 1981 under Beckett’s own direction as ... As Herren notes, ‘Beckett defines . as “A piece for four players, light and percussion”, giving equal billing to each element, and treating no element as more important — let alone more “human” — than

Adj异类的

删减

EXUDE

Book 2012An expressive dialogue between Deleuze‘s philosophical writings on cinema and Beckett‘s innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett‘s attempts to create an incommensurable space within the interstices of language as a (W)hole.

Agnosia

https://doi.org/10.1057/9781137014368Beckett; cinema; film; philosophical writing; philosophy; television; video; British and Irish Literature