Titlebook: Beckett, Deleuze and the Televisual Event; Peephole Art Colin Gardner Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi

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,Beyond Percept and Affect: Beckett’s , (1964) and Non-Human Becoming, text in the latter’s overall cinematic taxonomy. Deleuze uses it as a reverse proof of the three varieties of movement-image through their progressive extinguishing or exhaustion, moving in reverse order from the action-image, through the perception-image, to the affect-image. However, Deleuze has

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