Titlebook: Beckett and Modernism; Olga Beloborodova,Dirk Van Hulle,Pim Verhulst Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Postmo

FOIL

,‘A new occasion, a new term of relation’: Samuel Beckett and T. S. Eliot,this essay considers how the conflicts between Beckett’s rejection of Eliot as a critic and his more ambivalent treatment of Eliot as a poet allow for an exploration of the tensions that are central to modernism, and how this impacts the configuration of both Eliot and Beckett within what has come to be thought of as ‘Late Modernism’.

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Samuel Beckett and Modern Dance, of glorious bodies of the Nazis. His representation of weakness, illness, and disability on stage has had a major influence on French contemporary dance, in particular the choreographer Maguy Marin, who continues in a certain way Samuel Beckett’s political work.

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,‘Execrations on another plane’: Film Theory in , and Beckett’s Late Prose,a significant cultural meeting point of literature and cinema. Taking Eisenstein’s writing on film published in . and the magazine’s overall cultural project as points of departure, this paper explores the traces of early cinematic forms and editing theories in Beckett’s late text, . (1981).

造反,叛乱

malign

2634-6478 ewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies..978-3-030-09951-0978-3-319-70374-9Series ISSN 2634-6478 Series E-ISSN 2634-6486

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Palgrave Studies in Modern European Literaturehttp://image.papertrans.cn/b/image/181972.jpg

NORM

P. Laconte,J. Gibson,A. Rapoports been questioned both on the grounds of periodization and style, with the term ‘late modernist’ increasingly gaining ground in the more recent scholarship. Without disputing Weller’s definition, this essay suggests a different approach by foregrounding Beckett’s trademark ‘fidelity to failure’ and