Titlebook: Beckett and Modernism; Olga Beloborodova,Dirk Van Hulle,Pim Verhulst Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Postmo

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,‘Temporarily sane’: Beckett, Modernism, and the Ethics of Suicide,work produces a radical normalization of the act that presents it as both unexceptional and lacking in pathos. In Beckett, suicide is (in Henry Maudsley’s phrase) ‘just a necessary incident from time to time’ in the course of the subject’s evolutions.

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Book 2018s work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies..

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F. Matsumura,John Quensen,G. Tsushimotoeflecting on Lewis’s novel, and that he tried to supersede both works by means of an intricate labyrinth of allusions, parodies, and witticisms. The triangle which these three novels represent is taken here as an opportunity to trace the dynamic interplay of Lewis and Joyce’s novels in the composition of ..

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Beckett, Lewis, Joyce: Reading , through , and ,,eflecting on Lewis’s novel, and that he tried to supersede both works by means of an intricate labyrinth of allusions, parodies, and witticisms. The triangle which these three novels represent is taken here as an opportunity to trace the dynamic interplay of Lewis and Joyce’s novels in the composition of ..

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P. Laconte,J. Gibson,A. Rapoport, it first discusses the ‘epiphanic’ modernism of his more canonical predecessors and then traces the contours of Beckett’s own poetics of ‘pejorism’ (a term he coined in the margins of his copy of Olga Plümacher’s . and in his ‘Whoroscope’ Notebook) to examine how his negative modernism is enacted in his works.

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P. Laconte,J. Gibson,A. Rapoportnegativism in relation to that of a number of other twentieth-century European writers, including Franz Kafka, Maurice Blanchot, and Paul Celan, to argue that their ‘unwording’ practices are characteristic of a ‘late’ modernism.

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P. Laconte,J. Gibson,A. Rapoportdetectable in Beckett’s novel .. Focusing on issues of nominalism, serialism, and an ambivalent relationship with Kant, I will read selected passages from the novel in order to demonstrate my argument. The essay will finish with some reflections on what this connection means for notions of Beckett’s Modernism.

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F. Matsumura,John Quensen,G. Tsushimotod powerlessness that he drew from the work of André Gide, Fyodor Dostoevsky, and Arthur Schopenhauer. The chapter concludes by arguing that Beckett came to see Joyce’s work as rooted in a Catholic mindset, whereas . is built upon low-church, heretical, or anti-Catholic sensibilities found in Gide, Dostoevsky, and also Arnold Geulincx.