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Titlebook: Beauty and Human Existence in Chinese Philosophy; Keping Wang Book 2021 Foreign Language Teaching and Research Publishing Co., Ltd 2021 Ch

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发表于 2025-3-21 18:16:44 | 显示全部楼层 |阅读模式
期刊全称Beauty and Human Existence in Chinese Philosophy
影响因子2023Keping Wang
视频videohttp://file.papertrans.cn/182/181956/181956.mp4
发行地址Explores the Chinese conception of beauty from a historical perspective.Considers the conceptual progression of beauty in Confucianism, Daoism and Chan Buddhism.Discusses modern change and trans-cultu
图书封面Titlebook: Beauty and Human Existence in Chinese Philosophy;  Keping Wang Book 2021 Foreign Language Teaching and Research Publishing Co., Ltd 2021 Ch
影响因子.This book considers the Chinese conception of beauty from a historical perspective with regard to its significant relation to human personality and human existence. It examines the etymological implications of the pictographic character mei, the totemic symbolism of beauty, the ferocious beauty of the bronzeware. Further on, it proceeds to look into the conceptual progression of beauty in such main schools of thought as Confucianism, Daoism and Chan Buddhism. Then, it goes on to illustrate through art and literature the leading principles of equilibriumharmony, spontaneous naturalness, subtle void and synthetic possibilities. It also offers a discussion of modern change and transcultural creation conducted with particular reference to the theory of the poetic state par excellence (yi jing shuo) and that of art as sedimentation (ji dian shuo). .
Pindex Book 2021
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Chelsea R. Spring,Giuseppe T. Cirellaand unconditional goods. The ideal is further enhanced by Mencius with reference to the art of breathing system for character building, which accounts for a focal concern in the Confucian heritage because of its humanistic conception of virtuous excellence. It involves an aesthetic engagement in art
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Andrea Farkas,Janos Mika,Giuseppe T. Cirellans. His personality beauty lies in his persistent devotion, patriotic passion, heroic deed, nostalgic affection, and moral conduct. His poetic output is rounded out by means of grotesque imagery associated with imagined scenes and Shamanistic elements. It is thus distinguished from Confucianism and
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Chelsea R. Spring,Giuseppe T. Cirella through free and easy wandering. It is closely leagued with the art of breathing system for personal cultivation. Judging from an aesthetic viewpoint, it is related not merely to the dialectical distinction between the basic aesthetic categories, speech acts and human deeds, but also the nourishmen
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https://doi.org/10.1007/978-1-349-01647-1be further explicated with reference to the Confucian appreciation of “huge waterscapes,” and reflected in light of moral symbolism. All this elicits a discussion of the poetic representation of waterscapes in terms of the beautiful, majestic, and musical categories from an aesthetic perspective. It
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