Titlebook: Bakhtinian Explorations of Indian Culture; Pluralism, Dogma and Lakshmi Bandlamudi,E. V. Ramakrishnan Book 2018 Springer Nature Singapore P

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Dancing in the , Architectonics and Answerability in the Aesthetic Vision of ,,Sarukkai. The key features of creativity evident in the performances of this eminent Bharata Natyam dancer are discussed in the light of Bakhtin’s works and performance traditions of India. The article weaves in ideas taken from Abhinavagupta’s commentary on . to show the dialogic sophistication tha

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Animal as Hero: Narrative Dynamics of Alterity and Answerability in the Elephant Stories of ,,ultural scenarios constructed around elephants in the textual and ritual traditions of Kerala. The dialogic possibilities embedded in such scenarios and their heteroglossic semantics open up a narrative—performative interface involving the divine, the human and the animal. The divine, the human and

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Translation as Dialogue: A Perspective,ticed and it has played a vital role in knitting India as a nation throughout her history. It has played role in extending the scope of language and reframing the boundaries of the sayable. . are some of the Indian terms used to refer to translation. The word . which implies trying to recapture and

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Dialoguing the Web: Digital Technologies and Pedagogy,s not yet been delivered. This chapter is an attempt to explore the theoretical premises of web technology within which they operate and its interactions with pedagogic forms—its circulation, dissemination, and hybridization; its impact in terms of teaching-learning behavior; the space of internal d

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,Talking Texts, Writing Memory: A Bakhtinian Reading of Meena Alexander’s ,,n American diasporic writer Meena Alexander’s . . and the revised 2003 version as dialogic texts. Alexander’s memoirs engage, contest, and alter each other to disrupt the possibility of singular meanings and absolute truth. Instead, the texts offer a conflicting and incommensurate idea of the past a