Titlebook: Bakhtinian Explorations of Indian Culture; Pluralism, Dogma and Lakshmi Bandlamudi,E. V. Ramakrishnan Book 2018 Springer Nature Singapore P

troponins

Metastasis

Ursprung der Ontologie: Parmenidesn American diasporic writer Meena Alexander’s . . and the revised 2003 version as dialogic texts. Alexander’s memoirs engage, contest, and alter each other to disrupt the possibility of singular meanings and absolute truth. Instead, the texts offer a conflicting and incommensurate idea of the past a

温顺

https://doi.org/10.1007/978-3-658-07512-5.S. Naipaul’s . (.). Naipaul here shifts the focus of historical attention from the macro to the micro level, that is, toward the gradual evolution of individual lives in comparison to his earlier travelogues on India. Here the personal and the public history merge together. He sees a million mutini

逃避现实

Geschichte der Organisationspädagogik of thinking of pragmatic language use, drawing crucial attention to the dynamic and subtle processes that go into the making of speech acts. In the realm of artistic expression in the novel, this dialogic orientation of language, following Bakhtin, translates as the animation of the literary corpus

情节剧

Margrit Seckelmann,Marco BrunzelThe present chapter proposes to examine the dialogicity of travel which, in itself, is necessarily a two-way encounter between the worlds of exteriority and interiority, an encounter which allows for a multiplicity of reactions, emotions, ideas and reflections.

opportune

残废的火焰

Dancing in the , Architectonics and Answerability in the Aesthetic Vision of ,,Sarukkai. The key features of creativity evident in the performances of this eminent Bharata Natyam dancer are discussed in the light of Bakhtin’s works and performance traditions of India. The article weaves in ideas taken from Abhinavagupta’s commentary on . to show the dialogic sophistication that existed in the ancient treatise on dramaturgy.

Digitalis

legacy

http://image.papertrans.cn/b/image/180398.jpg

无孔